Odradek, Entr'acte & De Witte Zaal present
	BE Pauwel De Buck utilizes field recordings of surplus sound materials from the urban environment. His composition methods are as much time-based as they are sculptural and spatial. The resulting works traverse between concrete sound environments and abstract aural spaces. › myspace.com/pauweldebuck   BE The site-specific "chamber music" pieces of Mieke Lambrigts are subtle sound tapestries woven from location recordings and sine waves. Tailored to specific locations, her immersive works function as sound environments rather than music pieces. › myspace.com/miekelambrigts   DE Nicholas Wiese is an experimental composer and a visual and sound artist working in Berlin. Wiese has created works for installations, ensemble and film. His sound pieces include autonomous works as well as combinations with different audiovisual media. › virb.com/hyph
	DE A former student of Asmus Tietchens, Oliver Peters has been recording as Evapori since 2002. His compositions are culled from diverse sources: field recordings, self-built objects and treated acoustic instruments. These sources are carefully interwoven to create atmospheric, yet complex and unpredictable music. Peters co-founded the AIC label in 2002 with Nicolas Wiese (aka [-hyph-]) and recently released the LP "Fumes" on the legendary Walter Ulbricht Schallfolien imprint. › 0000-anti.info   BE Esther Venrooy is a Dutch-born sound artist and composer of electronic music. Her works range from purely electronic composed music to improvised combinations of electronica with traditional instruments. Her recent published works include "The Spiral Staircase" (Entr'acte 50), a suite of slowly progressing vignettes, and "Mock Interiors" (Entr'acte 55), a collaboration with pianist Heleen Van Haegenborgh. › myspace.com/esthervenrooy     UK Helena Gough's impressive debut CD "with what remains" (Entr'acte 38) involves the collection and manipulation of "real-world" sound material and the exploration of its abstract properties. Each sound piece is created by taking everything possible from the tiniest element - working to create something from nearly nothing. Her live sets involve recombining and improvising with her sound materials in order to create a unique environment for each new performance. › helenagough.net   UK/JP Yôko Higashi is a performer, vocalist, choreographer and dancer. As hamaYôko she creates "musique concrète-influenced electro-pop", a combination which has pricked the ears and raised the eyebrows of listeners and reviewers alike. Lionel Marchetti's interest in music resides in the qualities of sound. His musique concrète work incorporates sound collage and academic electro-acoustic composition, though the level of poetry and refusal of genre boundaries in his music puts him closer to Kristoff K. Roll and Luc Ferrari than Pierre Henry or Bernard Parmegiani. › youtube.com
	BE/NL Guy De Bièvre is a self taught composer, arranger, musician, sound engineer and sound designer. As a composer he has been focusing on experiments which combine computer, live electronics, acoustics and standard arrangement formats. He is also active as a performer (microphone, guitar and computer), and recently collaborated with composers Phill Niblock, Tom Hamilton and Peter Zummo. For this occasion, Guy De Bievre will perform recent work together with flutist/improviser Anne La Berge. › guydebievre.org   CA/US Katherine Liberovskaya is a New York and Montreal-based media artist. She has been working in experimental video since the late eighties. her prolific body of video and installation work has been shown worldwide. Recently, she has been creating collaborative works with composers and sound artists such as Phill Niblock, Al Margolis and David Watson. For the piece "Trains of Thoughts", Phill Niblock created a collage soundtrack consisting of field recordings.   US/BE/BE Phill Niblock (°1933, Indiana) is an intermedia artist who utilizes sound, film, photography, video and computers. Since the mid-sixties he has been making music and intermedia performances which have been shown at numerous venues around the world. Using sustained tones from musical instruments, he creates thick, loud drones of sound, filled with microtones which generate other tones and audible artefacts in the performance space. For this occasion, Niblock will present the piece "Stosspeng (for two guitars)" with guitar players Thomas Smetryns and Guy De Bievre. › experimentalintermedia.org
	De Witte Zaal Posternestraat 64 9000 Gent Belgium Doors open: 20h00; concerts: 21h00 (after 21h, admissions during breaks only) Tickets: EUR 5/day; EUR 12/three days Reservations: info@odradek.net Powered by Amplus & Aevox audio Type by the grace of Eric Olson at processtypefoundry.com odradek.net   entracte.co.uk   wittezaal.be With the kind support of the Flemish governement